It was the summer of 2004 that I took the printmaking class that changed me. I went into the Mass Art class taught by Annie Silverman an inactive printmaker that had been into lithography in art school but didn't have many prospects of printing in that medium post-graduation. I left that class obsessed with woodblock printmaking and saving up for a still expensive but totally doable printing press designed for relief, intaglio, collagraph, monotypes and pretty much every printmaking type except for the stone lithography I studied at school. Nearly ten years of carving and printing these blocks of wood and I don't miss lithography much at all. These years of printing has led to a lot of carved images and I have my favorites. The advantages of wood for carving is that it is durable, keeps for nearly forever and is easy to store. Woodblock printing is still my favorite method of making art and it is the one that I always come back to.